For the complete article, go to http://www.ojr.org/ojr/people/allanrichards/201102/1943/.
Here is an excerpt from it:
By Allan Richards
At the end of the spring 2010 semester, the chair of our journalism department at Florida International University in Miami asked me if I would teach the Introduction to Journalism course in summer. I was reluctant as I had inaugurated and been teaching the department's online journalism capstone course - our most advanced journalism skills class - since spring 2002.
For eight years I had challenged students (20 to a class) to produce theme-based online journalism projects, i.e. Miami's soaring HIV/AIDS rates or the local impact of hurricanes Wilma and Katrina. Students had to build and develop a site, write articles and integrate digital photos, graphics and videos into seamless multimedia packages—all in a three-month semester. (See: "Zero to Launch in Three Months," OJR, May, 2006.)
The idea of teaching the intro class, I thought, wouldn't make the best use of my skills as I was the school's senior-most multimedia journalism professor. It had also been a long time since I had taught a core course. I had never taught Intro to Journalism, and there was little time to put together a condensed six-week summer version. So I initially declined.
But as associate dean I am responsible for overseeing the school's curriculum, and the more I thought about it the more I started to think that this would give me a chance to review and assess what incoming students were being taught and whether that part of our program had evolved with the changes in the media.
Our Intro to Journalism course has traditionally been taught as a lecture course, with a cap of 90 students, built around a textbook that focused on the historical analysis of journalism and its impact on American society, a course that professors generally graded through quizzes, a mid-term and final. While that might have been appropriate 10 years ago, it seemed outdated. Today's Introduction to Journalism had to go far beyond a discussion of the historical evolution of our free press and the principles and values of journalism. The course had to include the digital age.
But more, I wondered, should an introductory course to journalism simply be a lecture course? As anyone who has taught online journalism knows, each semester's class potentially could be different from the last because of new software and emerging media. I had spent nearly a decade frenetically experimenting, merging digital advances with journalistic principles like a wild alchemist so that the distillate of each class would help keep journalism education current, and would prepare students for the evolving media.
The more I mulled this over, the more I saw this as a timely opportunity. It seemed to me that if citizen journalists, who are frequently untrained writers, are now contributing content to newspaper websites such as The Miami Herald and The Seattle Times, that journalism students' training and participation in journalism should begin sooner not later--and in an intro course. When television emerged, a student couldn't have a do-it-yourself approach and produce a journalistic product within minutes. But students' familiarity with technology and social media and photo-sharing sites, on which they already message, and upload videos they've shot seemed to make this the perfect time for a new experiment. The object would now be to embed some components from my senior online reporting course into the intro course so that students could begin their digital training before they entered the skills segment of our program.
If this were successful, the students then would have two more years to develop journalism fundamentals and multimedia skills and would emerge from the program as more sophisticated digital reporters.
But this wasn't just about developing technical know-how. I also wanted students to start writing even before they got into the program. This is Miami—-our university is a minority public institution of 42,000 students. Our School of Journalism and Mass Communication has roughly 2,000, with 69 percent Hispanic and 11 percent African-American. In response to the large influx of Latinos and serious ESL issues, we had developed a rigorous grammar testing and writing program. The sooner I could read their writing, the sooner I could start addressing the quality of their work.
More, our journalism department had partnered with The Miami Herald, The South Florida Sun-Sentinel and The Palm Beach Post in a complex student-based content-sharing project called the South Florida News Service. Started in January 2009, at the height of the recession and in response to the massive cutbacks in newsrooms, our students were contributing articles and multimedia packages for all three newspapers. The news service had been working out of my online reporting class as an independent operation. By summer 2010, the students-—mostly seniors with a handful of newly graduated students--had been producing over 50 stories a semester for the newspapers. But we faced the same challenges that every news service or project-oriented class faces: classes only last three months and students move on.
Earlier in the year, Nicholas Lemann, Dean of Columbia University's Graduate School of Journalism, visited our campus with media scholar Michael Schudson. Schudson had mentioned our news service in "The Reconstruction of American Journalism," the article he co-authored with Len Downie, and he wanted to see how it operated. Lemann aptly described project-oriented classes as "an orchid that blossoms and soon dies." Chris Delboni, the South Florida News Service's director and former Washington correspondent for the Brazilian press, and I had been trying to fend off that dilemma by allowing newly graduated reporters to continue to report for the news service as they looked for work in the very tight job market. But by summer 2010, we decided the news service should be devoted to only students in our journalism program.
We thought we could solve our "dying orchid" problem by having Delboni recruit students from my intro class and see which ones blossomed early.
"We needed to develop a reliable and steady reporting staff, which we realized would not be possible if we worked only with seniors," Delboni said.
"We thought this could be an innovative path to grow mature journalists, who would have clear and solid traditional values combined with new media--visual skills necessary for the modern newsroom and the competitive job market. We anticipated this might be journalism in the rawest form, because we would be working with sophomores and juniors, but I was willing to work with them and groom them."
Updating the course to include the digital components and recruiting students for our news service gave me two powerful reasons to try to reconstruct Intro to Journalism into a more action-oriented class.
Read more: http://www.ojr.org/ojr/people/allanrichards/201102/1943/
